POLICE STATE [2023]

Is the United States becoming a police state? Incredibly the answer is yes, and both sides of the aisle agree. The only difference is that each accuses the other of seeking to establish a police state. Who’s right? This film resolves the question by defining what a police state is, and showing how it got started, how it operates, and who’s in charge. Working with Dan Bongino, Dinesh D’Souza has created his scariest and timeliest film!

Is the United States becoming a police state? Incredibly the answer is yes, and both sides of the aisle agree. The only difference is that each accuses the other of seeking to establish a police state. Who’s right? This film resolves the question by defining what a police state is, and showing how it got started, how it operates, and who’s in charge. Working with Dan Bongino, Dinesh D’Souza has created his scariest and timeliest film!

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In his latest release, Dinesh D’Souza has expressed a sentiment he never thought he would: the necessity of creating a film like “Police State.” This poignant film, which hit cinemas earlier this week and is now available online, not only boasts high production values deserving of a big-screen experience but also carries a message that transcends partisan lines. It’s a film that beckons not just the right-wing choir but everyone who values freedom and democracy. While many of us may already be familiar with the prevailing political discourse, “Police State” serves as a rallying cry, urging us to raise our voices louder.

“Police State” is not a work of conspiracy theories predicting a dystopian future; rather, it serves as a wake-up call to acknowledge the alarming realities already unfolding in America. The film seamlessly transitions between dramatic re-enactments of FBI operations and SWAT raids and documentary-style interviews with members of Congress, authors, journalists, and federal agency whistleblowers. It begins with actor Nick Searcy, known for his role as Chief Deputy U.S. Marshal Art Mullen on FX’s “Justified,” portraying a supervisory FBI field agent briefing his team about an upcoming raid. The authenticity of these scenes, guided by the input of real-life FBI whistleblowers Kyle Seraphin and Stephen Friend, lends credibility to the narrative.

Narrated by Dinesh D’Souza himself, “Police State” lays bare the reality of government censorship, the targeting of political opponents, and the unconstitutional surveillance conducted by federal agencies on ordinary Americans.

Dan Bongino, a former Secret Service agent turned political commentator and one of the film’s executive producers, asserts that we are already witnessing a “slow death version” of a police state, with the erosion of civil liberties becoming normalized. Americans find themselves accepting, perhaps unconsciously, the idea that being silenced in the new public sphere is the new normal.

The film also draws stark comparisons between the leniency shown by our government towards those who promote progressive ideals and narratives, even when involved in criminal activities, and the oppressive measures taken against those labeled as political adversaries. It highlights instances where our justice system turned a blind eye to the criminal acts during the 2020 Black Lives Matter riots while aggressively prosecuting those who entered the U.S. Capitol Building on January 6, 2021, in what was characterized as a relatively minor transgression.

“Police State” traces the origins of this shift from a constitutional republic to a police state, citing incidents like the federal law enforcement agencies’ overreactions at Ruby Ridge and Waco 30 years ago. It asserts that the Patriot Act, passed in the wake of the September 11, 2001, terrorist attacks, acted as a catalyst, removing barriers between counterintelligence and criminal investigations. Attorney John O’Connor, featured in the film, remarks, “After 9/11, all of the barriers that were constructed between counterintelligence and criminal investigation were removed.”

The film leaves no stone unturned, exposing government overreach into the lives of everyday citizens, from the censorship of COVID-related narratives by big tech companies, in collaboration with federal policing agencies, to the Department of Justice’s targeting of those who attend Latin mass and participate in school board meetings.

One chilling aspect that “Police State” addresses is the border crisis and the harrowing reality of 85,000 missing children in just two years. An immigration system prioritizing speed over safety has facilitated the entry of thousands of innocent individuals into the grim world of child labor and sex trafficking.

The film includes interviews with a diverse range of voices, including North Korean defector Yeonmi Park, Reps. Jim Jordan (R-Ohio) and Troy Nehls (R-Texas), Senator Rand Paul (R-Ky.), investigative journalists Julie Kelly and Darren Beattie, and many others.

Dinesh D’Souza himself acknowledges that “Police State” is the “scariest” movie he has ever made. However, it is also a film that demands the attention of as many Americans as possible. In a time when vigilance and awareness are paramount, “Police State” serves as a crucial reminder of the importance of safeguarding our liberties and preserving the principles upon which this nation was founded.

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Exposing the Previously Hidden Police State | Interview with Dinesh D’Souza

View Interview: https://rumble.com/v3s1ols-dinesh-dsouza-full.html

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Dinesh D’Souza’s Film ‘Police State’ Is Warning Cry for Americans: ‘We’re in Danger’

View Interview: https://community.americanpatriotsforum.com/wall/post/the-daily-signal—dinesh-d-souza-s-film-police-state-is-warning-cry-iqPRAkOUT4gzKno